Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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PIAZZETTA, Giovanni Battista
The Virgin Appearing to St. Philip Neri

ID: 19869

PIAZZETTA, Giovanni Battista The Virgin Appearing to St. Philip Neri
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PIAZZETTA, Giovanni Battista The Virgin Appearing to St. Philip Neri


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PIAZZETTA, Giovanni Battista

Italian Rococo Era Painter, ca.1683-1754  Related Paintings of PIAZZETTA, Giovanni Battista :. | Beggar Boy | St. John the Baptist | Rebecca at the Well sg | St James Brought to Martyrdom kkjh | The Sacrifice of Isaac |
Related Artists:
Cornelis de Wael
Cornelis de Wael (1592-1667) was a Flemish painter of the Baroque period, active mainly in Italy, specifically Genoa. He was born in Antwerp, the son of a painter, and died in Rome.
BORDONE, Paris
Italian High Renaissance Painter, 1500-1571 Bordone was born at Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. From the 1520s, we have works by Bordone including the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in Brera. In 1525-6, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is now in Brera gallery. In 1534-5, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of the Fisherman delivering the Marriage Ring of Venice to the Doge (Accademia). However, when this latter painting is compared to the near-contemoporary, and structurally similar, Presentation of the Virgin, Bordone's limitations, his use of superior perspective, which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian. Bordone is best at his smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space.
Christoph Amberger
(c. 1505 --1562) was a painter of Nernberg in the 16th century, a disciple of Hans Holbein, his principal work being the history of Joseph in twelve pictures. Amberger travelled to Northern Italy and Venice between 1525 and 1527. He died in Augsburg.






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